設計師的成長
不只發生在圖紙和項目裏
也發生在重新觀看世界的方式裏
A designer's growth
happens not only in drawings and projects
but also in the way they see the world anew
矩陣縱橫在中國市場深耕16年,沉澱了一套成熟的設計方法論,但設計這件事,沒有終點。再確信的設計判斷,也值得被不同文化、不同氣候、不同生活方式下的真實空間反復檢驗。
近年來,矩陣縱橫堅持把年度優秀設計師送往世界各地展開遊學,走訪了數百個建築與空間作品,對話了數十個國際設計事務所,觸摸了數千種材質與肌理,我們不是去尋找答案,是把自己放到更大的坐標系中,校驗我們的設計判斷力。
Matrix Design has been rooted in the Chinese market for 16 years, accumulating a mature design methodology. But design has no endpoint. However confident a design judgment may be, it deserves repeated testing by real spaces across different cultures, climates, and ways of life.
In recent years, Matrix has consistently sent its annual outstanding designers on study tours worldwide—visiting hundreds of architectural and spatial works, engaging with dozens of international design practices, and touching thousands of materials and textures. We do not go to seek answers, but to place ourselves in a larger coordinate system to calibrate our design judgment.
有些我們正在堅持的判斷,在世界另一端看到了同樣的邏輯——這是驗證;有些我們正在優化的做法,別人走得更遠,因此我們往前又走了一步——這是迭代。這是一次認知校準的雙向賦能行動,我們自發地從世界維度校準設計經驗,同時主動向全球各地輸送中國設計。
Some judgments we hold are echoed by the same logic on the other side of the world—this is validation. Some practices we are refining—others have gone further, so we took another step forward—this is iteration. This is a two-way exchange: we voluntarily calibrate design experience from a global perspective, while actively sharing Chinese design to the world.
設計的判斷力,不源於封閉系統內的自我確認,而源於不同參照系的持續對照。知道“對”只是起點,見過足夠多的“另一種對”,才能界定自身判斷的邊界,並識別哪裡需要修正。
Design judgment is not self-confirmed in a closed system; it comes from ongoing comparison with other references. Knowing what's "right" is only the start—seeing enough alternatives defines your judgment's limits and where to revise.
在異國建築中,我們反復看到同一種態度——材料不掩飾來歷,結構不隱藏邏輯。混凝土不刷漆,是因為不需要;每一道縫都有理由,而非為了好看畫的線。設計所追求的,是不做多餘的事,是在克制中,在每一處必要的存在中,找到不可替代的理由。這是一個國際共識,也是一條不斷延伸的路。
In foreign architecture, we repeatedly saw the same attitude—materials do not disguise their origin, structures do not hide their logic. Concrete is not painted because it doesn't need to be; every joint has a reason, not a line drawn for appearance. What design pursues is to do nothing superfluous, and within restraint, to find an irreplaceable reason in every necessary existence. This is an international consensus and a path without an end.
手工瓷磚的色差是呼吸感,毛石保留斷裂面是“從地裏長出來”,鋼材任其氧化是讓時間成為立面的一部分……材質的誠實,本身便是一種安靜的力量。這不僅是接受不完美,還可以更主動地去設計材料如何隨時間優雅地老去,讓風化、氧化、包漿成為預先被期待發生的結果,而不是被動接受的損耗。
The color variation of handmade tiles is a sense of breathing; rough stone retaining its fractured face is "growing from the ground"; steel allowed to oxidize lets time become part of the facade... Material honesty itself is a quiet power. This is not only accepting imperfection, but more actively designing how materials age gracefully over time, making weathering, oxidation, and patina anticipated outcomes rather than passively accepted deterioration.
西班牙的庭院是對強光的回應,荷蘭的大窗是對稀缺光的珍惜,葡萄牙的海邊茶室是對地形的順應……它們看起來是三種“風格”,本質上是三種對“在地條件”的回應。風格是結果,不是起點。從氣候到材料,從材料到空間,從空間到人的行為,在地性成為一種生活方式的完整翻譯。這一共識,在我們走過的每一個國家都被反復印證,且遠不止於此。
The Spanish courtyard responds to intense light, the Dutch large window cherishes scarce light, the Portuguese seaside tea house conforms to the terrain... They appear as three "styles," but are essentially three responses to "local conditions." Style is a result, not a starting point. From climate to material, material to space, space to human behavior, locality becomes a complete translation of a way of life. This consensus was repeatedly confirmed in every country we visited, and far beyond.
最好的邊界不是隔斷,是過渡。我們始終堅持設計處理的是空間與外部世界的對話,此次所見,讓我們更進一步體會到:將空間置於更大的系統之中,去設計它與城市、景觀、氣候的對話方式,是設計走向更高維度的必然。
The best boundary is not a partition, but a transition. We have always insisted that design deals with the dialogue between space and the external world. What we saw this time made us further realize: placing space within a larger system and designing its dialogue with the city, landscape, and climate is an inevitable step toward a higher dimension of design.
設計判斷,藏在一個人的經驗與見識裏,閱歷越厚,直覺越准。這些遊學經歷沉澱下來,會變成某個瞬間的本能——對一扇窗的高度多一公分的猶豫,對一面牆的材質多一層肌理的考慮,對一束光的走向多一次走位的計算。
Design judgment lies in one's experience and insight; the richer the experience, the more accurate the intuition. These study tour experiences, once settled, become instincts in certain moments—a hesitation over one centimeter in window height, a consideration of an extra layer of texture for a wall material, an extra calculation of light direction.
設計不存在“最優解”,只有“最適解”。這一路跨過的時區和季節,我們無意用某個國家的範本來定義中國設計,也無需模仿某一個經典作品的設計手法。我們與國際設計的同頻對話,讓設計師在拓寬認知邊界的同時,也更加確信自己的判斷。
There is no "optimal solution" in design, only the "most appropriate solution." Across time zones and seasons on this journey, we have no intention to define Chinese design with the template of any country, nor to imitate the design approach of any classic work. Our resonant dialogue with international design allows designers to broaden their cognitive boundaries while becoming more confident in their own judgment.
我們相信,一個看過更多世界、理解更多生活、也不斷修正自己判斷的人,會做出更精准的設計。這正是矩陣縱橫堅持把年度優秀設計師送往世界各地的原因——用世界丈量過的人,才懂如何為一平米注入靈魂。
We believe that a person who has seen more of the world, understood more of life, and constantly revised their judgment will create more precise design. This is exactly why Matrix Design insists on sending its annual outstanding designers to different parts of the world—only those who have measured the world know how much thought a single square meter deserves.
深圳 福田區 蓮花街道金田路4036號榮超大廈17-19F
17-19/F, Rongchao Tower, No. 4036 Jintian Road, Lianhua Sub-district, Futian District, Shenzhen
上海 楊浦區 遼源西路17號
No.17 Liaoyuan West Road, Yangpu District, Shanghai
北京 朝陽區 八里莊街道建國路77號華貿中心寫字樓3座1302室
Room 1302, Tower 3, China Central Place, No. 77 Jianguo Road, Chaoyang District, Beijing
成都 雙流區 高新創智廣場C座
C Block, Gaoxin Chuangzhi Plaza, Chengdu
西安 高新區 天安人壽中心(綠地中心B座)606室
Room 606, Block B, Greenland Center, High-tech Zone, Xi'an
武漢 江岸區 武漢萬象城華潤置地大廈T2寫字樓2001室、2007-2010室
Room 2001, 2007-2010, T2, CR Land Tower, Wuhan MixC, Jiang'an District, Wuhan
香港 上環皇后大道中367至375號The L Plaza 8樓804
Room 804, 8/F, The L Plaza, 367-375 Queen's Road Central, Sheung Wan, Hong Kong
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